The Past Is Present
Performance Record
Sunday, April 14, 2024 8:00pm
Roulette
509 Atlantic Avenue (Corner of Third Avenue)
Brooklyn, NY 11217
The Past Is Present is a cantata about and by Holocaust survivors and their children. All of the text is taken from the oral testimony of members of Jeffrey Schanzer’s family. The visuals are taken from old family photographs as well as original artwork by Noah Bogan, who is also the son of survivors. The characters are: A Father, who mourns the loss of his first son, who survived the Holocaust but died of leukemia when they immigrated to the United States. A Mother, who describes her flight from the Nazi blitzkrieg of Poland and later, her life in post-war Europe, travelling to the US, getting married and having children. A Cousin, who describes Schanzer family life before the War and later, her immediate family’s experience under Nazi occupation. A Son, who struggles to understand his place in the world in the aftermath of an event which occurred before his birth. This piece premiered at The Kitchen in 1999.
The Past is Present
A Cantata About and By Holocaust Survivors and Their Children
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Music by
Jeffrey Schanzer
Text by
Howard Schanzer
Jeffrey Schanzer
Matilda Gruenkraut Schanzer
Rita Schanzer Sharf
Original Artwork and Visuals by
Noah Bogan 1998 (revised 2024)
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I. Lament for Erik
II. A Mother's Story – 1939-40
Interlude: Erik’s Story
III. Afterture/A Son's Thoughts
IV. Conversation with a Cousin – I
— Intermission —
V. Conversation with a Cousin – II
VI. A Mother's Story – After the War
VII. A Son Questions (You Can't Make Up for the Holocaust)
VIII. A Father's Death
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Isabelle Ganz Mezzo Soprano - A Mother
Sylvia Bloom Soprano - A Cousin
Brian McCorkle Tenor - A Son
Thomas Meglioranza Baritone - A Father
Laura Seaton Violin
Joyce Hammann Violin
Ron Lawrence Viola
Mary Wooten Cello
Margot Leverett Clarinet
Ned Rothenberg Bass Clarinet
Kevin Norton Drums
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View The Past is Present performance video on YouTube.
More information and a performance of "A Mother's Story - 1939-40" from The Past is Present cantata.
His musical narrative, with the impact of a black-and-white photograph, captures many shades of grief in a contrapuntal dialogue of insistent, recurring themes.
Cecelia Porter, The Washington Post
Individual movements -- particularly the work's elegiac first section, ''Lament for Erik'' -- hold the mournful power of survivors' tales, the knowledge that the details of each lost life could be multiplied by millions.
Jon Pareles, The New York Times